Bio
Jess Levin is a New York based ceramic sculpture artist. They recieved a BFA in Sculpture in 2022 from SUNY Purchase in Westchester, NY. They often juxtapose the cold and harsh nature ceramics typically carries with the soft and friendly connotation of found fibers, including lace and collaged fabrics. The playful and cartoonish characters they create bring to life a narrative of self-exploration and expression.
Artist Statement
“The colorful yet quiet animal-human hybrids I create communicate a sense of serenity and relationship between fauna and human. The horned animal carries a sense of power and masculinity which I soften using a more feminine anthropomorphic form. Imagination is an essential part of any child. Playing pretend as a child is a gateway into self-exploration. With this in mind, I take a more mythical approach with my practice by taking these horned animals and imagining them in a more whimsical way, often shown through the vibrant colors chosen for them. I’ve also begun to introduce other creatures, such as mermaids and fairies. These beings live in harmony in the dreamlike world I’ve created for them.
As I’m moving forward in this direction, I continue to be inspired by animals, specifically woodland creatures, as they tend to just exist in serenity and peace. Everything from color to clothing design to specific textures is highly considered, as well as the activity these characters are performing. Giving my pieces fiber additions, such as subtle stitching and lace, juxtaposes the cold and hard connotation that clay typically carries. To further this relationship, I have begun to make quilts that play with my ceramic pieces and give them a home to live in, as well as add an immersive layer to them. These small yet vital parts of my work act as a security blanket, and a transition between the world I am creating and the world we are familiar with.”
Technical and Process Stuff
I currently use a cone six brown stoneware to create most of my sculptures. I prefer a groggier clay body, as it keeps my sculptures resillient through out the process. My current favorites are Standard’s 153 and 112.
The majority of my pieces are finished with underglaze, and then dry brushed with either a clear glaze or a glossy white. My color pallet typically changes with the seasons. Pinks, oranges, and greens during the warmer months, and blues, purples, and yellows during the colder months. One thing that stays consistant, however, is that I always lean into more pastel hues. Unfortunately, these colors can be hard to come by so more often than not I will mix my pallet myself from preexisting colors. Some underglazes that I constantly find myself reaching for are Amaco’s Deep Yellow, Sea glass, and Blush.
I am a huge fan of experimenting, and creating a million test tiles to find the perfect glaze combination before using it on a “real” piece. For my functional ceramics, both hand built and wheel thrown, I enjoy piling on different colorful glazes (to varying degrees of success). My favorite blue and pink combination is Spectrum’s Blue Oyster Shino, Laguna’s Brilliant Sunburn, and Mayco’s Rose Quartz.